~~ Adapted from the manga series "Noise" (ノイズ) by Tsutsui Tetsuya (筒井哲也).", "image": "https://i.hndrama.com/image/drama/BKg7z_4c.jpg", "genre": [ "Action", "Thriller" ], "contentRating": "PG-13", "datePublished": "Jan 28, 2022", "dateModified": "2022-12-28", "startDate": "Jan 28, 2022", "endDate": "", "actor": [ { "@type": "Person", "name": "Kamiki Ryunosuke", "alternateName": "神木隆之介", "birthDate": "May 19, 1993", "nationality": "Japanese", "description": "Kamiki Ryunosuke is a Japanese actor. He entered the industry in 1995 when he was only 2 years old. He made his drama debut in “Good News”, which gained him immense popularity through his first full time role as Naoya, playing the son of SMAP’s Masahiro Nakai. In 2001, he was discovered by Hayao Miyazaki, and ended up voicing Bao in the animated film "Spirited Away" by Studio Ghibli, highest grossing Japanese film in Japan. From 1999 to 2002, he had appeared in over a dozen projects, earning him the title of a child prodigy. He was awarded his first award for “Otosan no Backdrop” when he was only 11. From 2004 to 2020, he has won awards every one or two alternative years.
Today, Kamiki remains as an iconic and beloved actor in the Japanese industry. He has the reputation of a reliable lead actor who goes into character as soon as the cameras start rolling. For his successful transition from a child actor to a main lead combined with his modest personality, has made him a role model for many. When choosing works, he likes to experiment with roles or plots. He does not mind too much about popularity or being the main lead as long as he likes his role. Rather than “aiming for a big goal ahead”, he is the type to do the job in front of him wholeheartedly.
He has appeared in numerous award winning projects. In 2011, he won his first international award for playing the main lead in the Amade Prize winning “Kokoro no ito”. To date he has been an integral part in all the top 4 highest grossing Japanese movies in Japan. His works continue to break records as his movie “Your Name” became the highest grossing Japanese movie of all time internationally.
Kamiki, alongside acting and voice acting, has dabbled in multiple fields. For variety shows he often does many documentaries. He even interviewed Will Smith for Zip. In 2015, he released his first book “Master’s Café”. Ryu challenged his first stage play with "Beautiful - The Woman Who Met with God", directed and written by Suzuki Matsuo, in 2019. The following year, he debuted in multiple fields such as a radio DJ for All Night Nippon 0 (ANN0) on 11th October 2020, which airs 3 am at nights between Saturday and Sunday. His directorial debut with the MV for “I Treasure You” for SUPER HANDSOME COLLECTION 「JUMP 」!. He opened his own YouTube channel. He was also the official photographer for Satoh Takeru’s 2021 calendar.
In 2020, Kamiki was awarded at the Elan D'or Award Ceremony. One of the most prestigious awards in Japan for completing 25 years in the industry. To thank his fans, he started the 25th Anniversary Celebration Project.
He was represented by Amuse Inc. until March 2021. In April 2021, he established a new agency with fellow actor, Satoh Takeru, called Co-LaVo and following the two is Shindai Chiba, who was a director at Amuse. Amuse will continue to support the two and will also invest in Co-LaVo. Yokichi Osato, Chairman of Amuse, will also participate as a consultant of Co-LaVo.", "image": "https://i.hndrama.com/image/people/17Job_5c.jpg" }, { "@type": "Person", "name": "Fujiwara Tatsuya", "alternateName": "藤原竜也, ふじわら たつや, Tatsuya Fujiwara", "birthDate": "May 15, 1982", "nationality": "Chichibu, Saitama, Japan", "description": "", "image": "https://i.hndrama.com/image/people/fujiwara-tatsuya.png" }, { "@type": "Person", "name": "Tsuruta Mayu", "alternateName": "鶴田真由", "birthDate": "April 25, 1970", "nationality": "Japanese", "description": "Tsuruta Mayu, born in Kamakura, Kanagawa, Japan, is a Japanese actress. In 1996, she was nominated by the Award of the Japanese Academy for Best Supporting Actress in the film Kike Wadatsumi no Koe Last Friends. Following the chaos of Kenya's 2007 presidential election, on March 30, 2008, she visited thousands of internal refugees at Kenya's Nakuru ASK grounds, as a goodwill ambassador for Tokyo International Conference on African Development. While surveying the situation at the refugee camp, she spent time with several families and helped distribute food aid.
(Source: Wikipedia)", "image": "https://i.hndrama.com/image/people/Z8zpN8_5c.jpg" }, { "@type": "Person", "name": "Matsuyama Kenichi", "alternateName": "松山ケンイチ", "birthDate": "March 5, 1985", "nationality": "Japanese", "description": "Matsuyama Kenichi, who is known for his affinity for strange character roles, was born in Mutsu, Aomori Prefecture in 1985. In 2001, Kenichi started his career as a model. In 2002, he made his debut as an actor landing a small role in the NTV drama "Gokusen" as Kenichi Mori. In 2003, Kenichi expanded to movies and landed his first supporting role in "Bright Future". Kenichi's acting career expanded with his role as Shin in the 2005 movie "Nana".
His major breakthrough came in 2006 with Kenichi's charismatic performance as "L" in "Death Note" and "Death Note: The Last Name". Since then he has performed in a variety of different roles like the shy death metal rocker in "Detroit Metal City" and the youth that falls in love with an older woman in "Don't Laugh at My Romance". More recently, Kenichi has worked with foreign directors like Korean-Japanese director Yoichi Sai in "Kamui Gaiden", Vietnamese director Anh Hung Tran in "Norwegian Wood" and American director Hans Canosa in "Memoirs of a Teenage Amnesiac".
On April 1st, 2011, he married actress Kato Koyuki who co-starred with him in Kamui Gaiden. They welcomed the birth of their first child, a son, on January 5, 2012, then their second child, a daughter, on January 10, 2013. They welcomed the birth of their third child on July 8th, 2015
(Source: AsianMediaWiki)", "image": "https://i.hndrama.com/image/people/QJ23mQ_5c.jpg" }, { "@type": "Person", "name": "Sakoda Takaya", "alternateName": "迫田孝也, さこだ たかや, Takaya Sakoda", "birthDate": "April 06, 1977", "nationality": "Kagoshima Prefecture, Japan", "description": "", "image": "https://i.hndrama.com/image/people/sakoda-takaya.png" }, { "@type": "Person", "name": "Sakou Yoshi", "alternateName": "酒向芳, さこう よし, Yoshi Sakou", "birthDate": "November 15, 1958", "nationality": "Gifu Prefecture, Japan", "description": "", "image": "https://i.hndrama.com/image/people/sakou-yoshi.png" } ], "director": [ { "@type": "Person", "name": "Hiroki Ryuichi", "alternateName": "廣木隆一", "birthDate": "January 1, 1954", "nationality": "Japanese", "description": "Hiroki Ryuichi is a Japanese film director. He won critical acclaim for 800 Two Lap Runners. Film critic and researcher Alexander Jacoby has described Hiroki as "one of the modern Japanese cinema's most intelligent students of character".
Of the directors who have graduated from “pink film” to the mainstream, Hiroki has remained perhaps the most faithful to his origins: he continues to make films on sexual themes, though titillation has given way to analysis. In the eighties, after serving as assistant to prolific “pink” director Genji Nakamura, he made pornographic films for both straight and gay audiences; likewise, his first mainstream feature, 800 Two Lap Runners (1994), explored both hetero- and homosexual feelings in its account of the awkward relationship between a teenage runner and the former girlfriend of the dead trackmate with whom he once had a sexual experience.
Hiroki’s next film, Midori, was another drama about adolescent emotions, focusing on a disaffected high school girl who feigns illness to spend time with her boyfriend. Female protagonists continued to be central to Hiroki’s most interesting work, which dealt with young adults and with their sexual conduct in the fragmented society of modern urban Japan. Tokyo Trash Baby, Vibrator, and Girlfriend: Someone Please Stop the World were all moving, understated films about lonely, alienated women seeking solace in romantic fantasy and transient attachments.
Hiroki shot these films on digital video, and his informal style, with its loose compositions and low-key performances, effectively dramatized the haphazard lives of his protagonists, insecure both in work and relationships. Darker and more melodramatic in the plot was L’Amant (2004), a coolly observed account of a teenage schoolgirl who sells herself for a year as a sex slave to three brothers. By refusing to pass judgment on the perverse actions it depicted, Hiroki’s detached style forced the viewer to confront his own taboos. The director again explored the extremes of sexual behavior in M (2006); described by Jasper Sharp as “a Belle de Jour for the internet age,” it charted the experiences of a housewife who begins to work as a prostitute after receiving an email from a dating website.
Besides these troubling and emotionally complex films, The Silent Big Man was an unexpectedly chaste academic work, set safely in the past, and prettily photographed against the scenic backdrops of the Inland Sea. Recalling Keisuke Kinoshita in its story of a mute teacher assigned to an island school, it lacked Kinoshita’s skill for melodrama, and though Hiroki’s dry style restrained its sentimentality somewhat, he seemed ill suited to the material.
Happily, with It’s Only Talk, a subtly compelling chronicle of the life of an unemployed thirty-something woman suffering from manic depression, Hiroki returned to his more fruitful preoccupation with the problems of contemporary urban life. Here his use of locations in Tokyo’s down-at-heel Kamata district was especially well judged, anchoring the drama in a near-documentary record of a specific place. Love on Sunday, meanwhile, revisited the territory of the director’s earliest mainstream features, exploring adolescent emotions as it charted a teenage girl’s last 24 hours in her country home. In his recent work, Hiroki has proved himself one of the modern Japanese cinema’s most intelligent students of character, as well as one of the most precise analysts of Tokyo’s twenty-first-century zeitgeist and Japan’s twenty-first-century malaise.
Set in a rural hunting town that has been suffering from a steadily shrinking population due to aging and migration over the course of many years. But when the town begins producing a product known as the "black fig," it begins bringing money and opportunity back to the town. The story begins when Izumi Keita, a caretaker of a black fig plantation, meets a man with an air that is ill-fitting for the town.
(Source: mangaupdates)
~~ Adapted from the manga series "Noise" (ノイズ) by Tsutsui Tetsuya (筒井哲也).Watch drama online for free.
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