(Source: AsianWiki)", "image": "https://i.hndrama.com/image/drama/9oLOGc.jpg", "genre": [ "Drama", "Youth" ], "contentRating": "PG-13", "datePublished": "Jul 26, 2008", "dateModified": "2014-12-15", "startDate": "Jul 26, 2008", "endDate": "", "actor": [ { "@type": "Person", "name": "Yoshitaka Yuriko", "alternateName": "吉高由里子, よしたか ゆりこ, 요시타카 유리코, Yuriko Yoshitaka, Ёситака, Юрико", "birthDate": "July 22, 1988", "nationality": "Tokyo, Japan", "description": "Yoshitaka Yuriko, born in Tokyo, is a Japanese actress who is represented by the Japanese agency Amuse. Yoshitaka made her acting debut in 2006. She was given the lead role in the live-action adaptation of Hitomi Kanehara's award-winning novel "Snakes and Earrings" in 2007. While she was preparing for her role in "Snakes and Earrings", Yoshitaka was involved in a traffic accident in September 2007, causing her to fracture her jaw. She stayed in the ICU for five days as a result. Nonetheless, that was Yoshitaka's breakthrough role. The Japanese public began to take notice of her, and in a poll conducted by Oricon, Yoshitaka was the fifth promising young actress of 2009 and 2009's freshest female celebrity. In 2010, Oricon again conducted a poll on the most promising actress, and she managed to climb up to top the poll. Yoshitaka began to receive more work in 2008 as she appeared in Flow's music video "Arigatou ("Thanks"), was given her first lead role in the comedy-drama Konno-san to Asobo ("Let's Play with Konno-san") and took up the lead role in the film Yubae Shoujo ("A Girl in the Sunset") before the theatrical release of her other lead film "Snakes and Earrings". (Source: Wikipedia)", "image": "https://i.hndrama.com/image/people/yoshitaka-yuriko.png" }, { "@type": "Person", "name": "Emoto Tokio", "alternateName": "柄本時生", "birthDate": "October 17, 1989", "nationality": "Japanese", "description": "Emoto Tokio is a Japanese actor represented by Knockout. He was born in Tokyo as the second son of actor Emoto Akira and actress Tsunogae Kazue and grew up in Shimokitazawa. His older brother is actor Emoto Tasuku and his sister reportedly works in movies.
In 2003, Emoto passed an audition and made his debut in "Jam Films S 'Suberidai'". In 2008, he starred in a movie for the first time with "Ain't No Tomorrow (Oretachi ni Asu wa Naissu)". He also formed the theater unit "ETx2" with Tasuku.
In 2010, he co-starred with his father in the drama "Q10" as father and son. In 2011, in the drama "Ohisama", he played Takeo and co-starred with his mother. He was also costarring with Ando Sakura as husband and wife. Sakura would eventually marry Tasuku and become his in-law. In 2016, he starred in "Hatsukoi Geinin". He has been the look model for the men's brand "Phingerin" every year since 2015. Reportedly, he still occasionally washes dishes in the bar in Shimokitazawa he began working part-time in high school.
In his private wife, he married Iriki Mari, an actress he met in 2008. The two began dating in the Fall of 2019 before getting married on her birthday, February 16, 2020. On June 1, 2022 it was announced that hey have gotten divorced after 2 years of marriage.", "image": "https://i.hndrama.com/image/people/wJWKYk_5c.jpg" }, { "@type": "Person", "name": "Fukushi Seiji", "alternateName": "福士誠治", "birthDate": "June 3, 1983", "nationality": "Japanese", "description": "Fukushi Seiji is a Japanese actor. He was born on June 3, 1983, in Kanagawa Prefecture. He debuted onscreen in 2001 and his first TV role was in the Fuji TV drama Long Love Letters. He's currently represented by talent agency Imai Office.
(Source: Nippon Cinema, Wikipedia)", "image": "https://i.hndrama.com/image/people/Rllvg_5c.jpg" }, { "@type": "Person", "name": "Ishibashi Anna", "alternateName": "石橋杏奈, いしばし あんな, Anna Ishibashi", "birthDate": "July 12, 1992", "nationality": "Okagaki, Fukuoka Prefecture, Japan", "description": "", "image": "https://i.hndrama.com/image/people/ishibashi-anna.png" }, { "@type": "Person", "name": "Kitaura Ayu", "alternateName": "北浦愛", "birthDate": "November 26, 1992", "nationality": "Japanese", "description": "Ayu Kitaura is a Japanes actress who was born in Tokyo. She debuted in 2004 with the movie nobody knows, and impressed the public : she was only 11. She's now represented by Papado, inc.", "image": "https://i.hndrama.com/image/people/eYy6XK_5c.jpg" }, { "@type": "Person", "name": "Morita Naoyuki", "alternateName": "森田直幸", "birthDate": "July 19, 1991", "nationality": "Japanese", "description": "Naoyuki Morita was born on July 19, 1991 in Nara, Japan. He is an actor, known for Tetsujin niju-hachigo (2005), Kodomo no jijô (2007) and Ôsaka Hamuretto (2008).", "image": "https://i.hndrama.com/image/people/9ZrqJc.jpg" } ], "director": [ { "@type": "Person", "name": "Hiroki Ryuichi", "alternateName": "廣木隆一", "birthDate": "January 1, 1954", "nationality": "Japanese", "description": "Hiroki Ryuichi is a Japanese film director. He won critical acclaim for 800 Two Lap Runners. Film critic and researcher Alexander Jacoby has described Hiroki as "one of the modern Japanese cinema's most intelligent students of character".
Of the directors who have graduated from “pink film” to the mainstream, Hiroki has remained perhaps the most faithful to his origins: he continues to make films on sexual themes, though titillation has given way to analysis. In the eighties, after serving as assistant to prolific “pink” director Genji Nakamura, he made pornographic films for both straight and gay audiences; likewise, his first mainstream feature, 800 Two Lap Runners (1994), explored both hetero- and homosexual feelings in its account of the awkward relationship between a teenage runner and the former girlfriend of the dead trackmate with whom he once had a sexual experience.
Hiroki’s next film, Midori, was another drama about adolescent emotions, focusing on a disaffected high school girl who feigns illness to spend time with her boyfriend. Female protagonists continued to be central to Hiroki’s most interesting work, which dealt with young adults and with their sexual conduct in the fragmented society of modern urban Japan. Tokyo Trash Baby, Vibrator, and Girlfriend: Someone Please Stop the World were all moving, understated films about lonely, alienated women seeking solace in romantic fantasy and transient attachments.
Hiroki shot these films on digital video, and his informal style, with its loose compositions and low-key performances, effectively dramatized the haphazard lives of his protagonists, insecure both in work and relationships. Darker and more melodramatic in the plot was L’Amant (2004), a coolly observed account of a teenage schoolgirl who sells herself for a year as a sex slave to three brothers. By refusing to pass judgment on the perverse actions it depicted, Hiroki’s detached style forced the viewer to confront his own taboos. The director again explored the extremes of sexual behavior in M (2006); described by Jasper Sharp as “a Belle de Jour for the internet age,” it charted the experiences of a housewife who begins to work as a prostitute after receiving an email from a dating website.
Besides these troubling and emotionally complex films, The Silent Big Man was an unexpectedly chaste academic work, set safely in the past, and prettily photographed against the scenic backdrops of the Inland Sea. Recalling Keisuke Kinoshita in its story of a mute teacher assigned to an island school, it lacked Kinoshita’s skill for melodrama, and though Hiroki’s dry style restrained its sentimentality somewhat, he seemed ill suited to the material.
Happily, with It’s Only Talk, a subtly compelling chronicle of the life of an unemployed thirty-something woman suffering from manic depression, Hiroki returned to his more fruitful preoccupation with the problems of contemporary urban life. Here his use of locations in Tokyo’s down-at-heel Kamata district was especially well judged, anchoring the drama in a near-documentary record of a specific place. Love on Sunday, meanwhile, revisited the territory of the director’s earliest mainstream features, exploring adolescent emotions as it charted a teenage girl’s last 24 hours in her country home. In his recent work, Hiroki has proved himself one of the modern Japanese cinema’s most intelligent students of character, as well as one of the most precise analysts of Tokyo’s twenty-first-century zeitgeist and Japan’s twenty-first-century malaise.
While researching a story on a school for problem children, Nakahara meets Emi, a college volunteer with a compelling tale of her own. After overcoming her initial reluctance to open up to the writer, Emi talks about her busted leg and her childhood friendship with the chronically ill Yuka. Hiroki steps away from the mature material he's best known for (Vibrator), but focuses the same empathetic gaze on a group of people who don't conform in a perfection-obsessed society and the bonds formed in it.
(Source: AsianWiki)Watch drama online for free.
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